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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA mithuna scene at the Le Temple Kandariya Mahadeva (Khajuraho)
The relief depicts four figures in a high-relief carving. A central man and woman are joined in an embrace and sexual union; the man stands while the woman has her legs wrapped around his waist, and they are kissing. To their left and right, two other female figures stand, looking toward the central pair; the figure on the right holds the man's lower body, while the figure on the left holds the woman's arm. All figures are adorned with traditional jewelry, including necklaces and armbands, and their hair is styled in ornate, upswept buns typical of the Chandela period. Small, diminutive figures are visible at the base of the sculpture.
Mithuna (pairing) figures are a standard iconographic element of Hindu temple architecture in North India, representing divine union, fertility, and the auspicious presence of auspicious energy (shakti) on temple exterior walls. They connect to the broader aesthetic and philosophical traditions of the Indian temple, where the erotic and the sacred are integrated as aspects of the totality of existence.
Shilpa Shastras
These texts provide the architectural and iconographic guidelines for the placement of various figures, including mithuna, on temple surfaces.
Object
relief carving
sandstone
Medieval
Indian
sculpture
Digital Source
Wikimedia Commons · Public domain
944 × 1024 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 19, 2026. Getty identifiers are AI-inferred and may require verification.