Tiziano,-Marito-geloso,-1511,-dettaglio

Morosini's discovery records the only instance of Titian's use of three-dimensional technique of his career. shows a detail from Titian's fresco, The Miracle of the Jealous Husband, where Titian built three-dimensionally with the intonaco, the hand and arm of the wife, instead of the two-dimensional effects he uses throughout the painting. Morosini's photograph records the only instance of Titian's use of three-dimensional technique within a painting in his entire oevre. Author of the Photograph, Sergio Rossetti Morosini. Subject: Jealous Husband, fresco, detail by Titian, 1511, in the Scuola del Santo in Padova, Italy. Atributtion required. Reproduction/distribution for commercial use only with Author's written permission.