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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis ivory diptych is divided into two vertical leaves, each featuring two tiers of relief carving framed by pointed gothic arches. On the left, the top register shows Christ and the Virgin Mary enthroned, while below, a procession of figures, including bishops and clergy, stands in a row. On the right, Christ sits in judgment at the top, displaying his stigmata and surrounded by floating angels who hold the instruments of the Passion, while beneath him, figures crawl from coffins in the resurrection of the dead. The carving is highly detailed, emphasizing the drapery of the garments and the expressive, small-scale facial features of the figures, with metal hinges connecting the two sections.
This object reflects the 13th-century Gothic devotional focus on the intercessory role of the Virgin Mary and the eschatological themes of the Last Judgment, common in private prayer diptychs. It aligns with the theological concepts found in the 'Golden Legend' (Legenda aurea) of Jacobus de Voragine, which codified the popular hagiography and iconography of the period.
Jacobus de Voragine, Legenda aurea
The iconography reflects the prevailing medieval theological narratives concerning the assumption and coronation of Mary and the mechanics of the final judgment.
Object
Metropolitan Museum of Art, New York, NY
1970.324.7a, b
The Cloisters
Elephant ivory, with metal mounts
carving
ivory
Gothic
French
religious
Digital Source
Metropolitan Museum of Art · Public domain
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.