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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileGreen Tara. Late 12th to 1st half of 13th century. The Cleveland Museum of Art
Green Tara is depicted with emerald-green skin, adorned in ornate jewelry and a patterned skirt. Her right hand is lowered in the varada mudra (granting boons), while her left hand holds the stem of a blue utpala lotus flower; she is seated with one leg extended, resting on a smaller lotus. She is centered against a vibrant red background inside a tiered throne structure, featuring stylized lions, elephants, and floral motifs at her sides, and two stupas at the very top. The entire composition is framed by a border populated with small guardian figures and monstrous faces, rendered with detailed linework and saturated pigments.
This work represents the Tibetan Buddhist tradition of Tara as a savior deity who protects sentient beings from fear and obstacles, reflecting the sophisticated iconographic programs of 13th-century Kadampa or early Sakya monastic art.
Praises to the Twenty-One Taras
This text is the primary liturgical source for the iconography and veneration of Green Tara in Tibetan Buddhism.
Object
tempera
cotton (textile)
13th century
Tibetan
religious
Digital Source
Wikimedia Commons · Public domain
1829 × 2200 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.