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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis close-up shows a monstrous head featuring feline whiskers, sharp teeth, and a bifurcated tongue. The creature is a hybrid of various animal forms, possessing leathery fins with eye-like spots and a scaly, reptilian body. It represents one of the many tormentors attacking the saint during his aerial levitation.
As Michelangelo's earliest known painting, this work demonstrates his engagement with Northern Gothic imagery, specifically the prints of Martin Schongauer. The depiction of the grotesque and chimeric reflects the late medieval and early Renaissance preoccupation with the psychomachia, or the internal spiritual battle against demonic temptation described in the 'Life of Saint Anthony' by Athanasius.
Martin Schongauer
The painting is a direct copy and expansion of Schongauer's famous engraving of the same subject.
Athanasius of Alexandria
Author of the 'Life of Saint Anthony,' the primary literary source for the saint's trials and demonic encounters.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Kimbell Art Museum, Fort Worth, United States. See https://www.nytimes.com/slideshow/2009/05/12/arts/20090512_PAINTING_SLIDESHOW_index-3.html .
Public domain
3001 × 4104 px
dab375c254b24351d3480a482eb439ba217832b9
May 21, 2009
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.