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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileMorozov Apocalypse (c.1820, Christie's) Attack
This hand-colored engraving depicts the apocalyptic siege of a walled city, identifiable as the 'Holy City', which is surrounded by green, blue, and red demons scaling its ramparts. Above the city, Saint John stands in a verdant landscape, gesturing towards a large pillar of fire descending from the heavens. In the foreground, a large central demon identified as Satan is cast down into a vibrant, swirling lake of fire, where he confronts the Antichrist and a figure identified as the False Prophet. To the left, a host of soldiers representing 'Gog and Magog' march toward the gates, while a hellmouth in the lower-left corner disgorges additional demons.
This work is a characteristic example of 19th-century Russian Old Believer iconographic tradition, which preserved medieval apocalyptic motifs in manuscript and printed form, specifically interpreting the Book of Revelation (Chapter 20). It serves as a visual bridge between the medieval Orthodox illustrative tradition and late Imperial Russian folk religious art.
испаде огнь снеси гродъ стъ возлюбленн(ый) стъ Іоаннъ САТАНА гогъ и магогъ б(е)си озеро САТАНА лжепроро(к) адъ ог(нен)ное антихристъ
Translation
Fire falls from heaven; Holy City of the Saints; John; Satan; Gog and Magog; Devils; Lake; Satan; False Prophet; Hell; Fiery; Antichrist.
Book of Revelation
The image is a direct visual narrative of Revelation 20:7-10, describing the release of Satan, the attack of Gog and Magog, and the final judgment.
Object
engraving
laid paper
19th century
Russian
religious
Digital Source
Wikimedia Commons · Public domain
1305 × 1713 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.