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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileParis - Bonhams 2016 - Dynastie Qing - Tangka de Hvashang de retour en Chine avec les Arhats - XVIIIème siècle - 003
This thangka depicts a central, portly, smiling monk—Hvashang—seated on a wooden vessel navigating stylized, dark blue swirling waves. He wears golden robes with a bare belly, holding a large peach in his right hand and a string of beads in his left, with a small bird perched near his knee. A table behind him is laden with ritual offerings, including vases and a tiered stupa-like structure, while attendants in traditional robes and formal headgear assist him or peer from behind architectural structures. The scene is framed by a vibrant, painterly representation of water and clouds, showcasing intricate detail in the clothing patterns and the fruit-laden table.
This iconography represents the legend of the Chinese monk Hvashang, often associated with Budai or the Maitreya Buddha, traveling to or from India with the Sixteen Arhats. It reflects the fusion of Chinese folk traditions and Tibetan Buddhist practice, common in later thangka painting where the historical Arhats are integrated into narratives involving Chinese-style architecture and figure types.
Maitreya Buddha
Hvashang is iconographically identified as an emanation of Maitreya in East Asian and Tibetan Buddhist art.
Object
thangka
silk
Qing dynasty
Tibetan
religious
Digital Source
Wikimedia Commons · Public domain
5472 × 3648 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.