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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original filePortrait of Nicolas Chamfort (1741-1794)
This circular engraving depicts the Enlightenment wit and aphorist Nicolas Chamfort in 18th-century dress, wearing a powdered wig, a lace cravat, and a vibrant red coat. He faces the viewer with a neutral expression against a dark, textured background. The entire portrait is encased within the body of a serpent eating its own tail, a symbol known as the Ouroboros.
The inclusion of the Ouroboros, a primary symbol of Hermeticism and alchemy representing the unity of all things and the cycle of nature, suggests an esoteric dimension to this portrait. As a member of the Loge des Neuf Sœurs, Chamfort's depiction within this ancient symbol may reference his Masonic ties or the perceived immortality of his philosophical maxims.
Michael Maier
Maier's 'Atalanta Fugiens' (1617) features the Ouroboros as a key emblem of the Hermetic 'One is All' philosophy, mirrored in this framing device.
Chrysopoeia of Cleopatra
One of the earliest alchemical texts to illustrate the Ouroboros, establishing the iconography used in this engraving.
Object
Engraving
portrait
Digital Source
Wikimedia Commons · Public domain
http://www.misfrases.com/blog/con-frecuencia-el-amor-comercio-borrascoso-acaba-en-bancarrota/
Public domain
1920 × 2369 px
cb71f82259a884997b593a435c8725bb333fad88
November 7, 2009
March 24, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.