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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileTanka Portraying the Bon-po Deity gSen-lha 'od-dkar
This Tibetan thangka painting features a large, pale-skinned central deity, gSen-lha 'od-dkar, seated in vajraparyanka (lotus position) on a lotus throne. He is framed by an aureole and surrounded by rows of numerous small, seated figures in various colors—red, blue, white, and yellow—arranged in a precise, grid-like composition. At the very bottom center, a dark, wrathful figure with multiple arms and wild hair occupies a pedestal, acting as a protector of the central icon. The palette is dominated by dark, atmospheric tones contrasted by the brightness of the central deity and the vivid individual colors of the surrounding smaller figures.
This artwork belongs to the Bon tradition, the indigenous pre-Buddhist religious system of Tibet, representing the cosmology and hierarchical pantheon of the Bon-po school. It reflects the complex visualization practices and lineage structures used to map the spiritual landscape of enlightenment within Bon metaphysics.
gZi brjid (The Glorious)
This text contains the primary mythological accounts of the manifestation and deeds of the deity gSen-lha 'od-dkar.
Object
thangka
silk
18th century
Tibetan
religious
Digital Source
Wikimedia Commons · Public domain
517 × 768 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.