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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe dance of death: the last judgment. Woodcut by Hans Holbe
This woodcut depicts the Last Judgment, with a central figure of Christ seated on a large, decorated celestial sphere marked with zodiacal signs. Below him, a group of nude men and women stand with their backs to the viewer, reaching their arms toward the sphere as if in supplication. Smaller, indistinct figures are visible in the background, possibly representing the multitude of the dead rising from graves. The top corners are filled with swirling clouds, and a rainbow arches across the upper portion of the composition.
This image serves as a memento mori, emphasizing the unpredictability of the afterlife and the necessity of constant spiritual vigilance. It reflects the preoccupation with eschatological themes common in Reformation-era devotional woodcuts.
Quilibet ut poßit rationem reddere,cuncti Iudicis æterni stabimus ante thronum. Propterea toto uigilemus pectore,ne cum Venerit,irato iudicet ore D E V S. Et quia nemo tenet uenturi iudicis horam, Eße decet uigiles in statione pios.
Translation
So that everyone may be able to give an account, we shall all stand before the throne of the eternal Judge. Therefore let us keep watch with our whole heart, lest when He comes, God judges with an angry countenance. And because no one knows the hour of the coming judge, it is fitting to be watchful and pious at our posts.
Christian Eschatology
The image illustrates the doctrine of the Last Judgment (Dies Irae), where all souls are held to account by the Eternal Judge.
Object
woodcut
laid paper
Renaissance
German
religious
Digital Source
Wikimedia Commons · Public domain
2079 × 3380 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.