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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileTibet, pitture dei thangka, su cotone, con bordi cinesi più tardi, xviii secolo, kalika 01
The central figure is an elderly monk with a shaven head and a fair complexion, wearing traditional deep orange and red monastic robes that drape over his shoulders and legs. He is seated on a lotus cushion, and his hands are raised, holding a rope or cord that terminates in decorative jewels or tassels. Behind him is a golden halo and a stylized landscape featuring trees and distant mountains, while a smaller, similarly dressed figure sits to his lower right. The painting is framed by intricate brocade borders with floral motifs, characteristic of later Chinese mounting styles.
Kanakavatsa is one of the sixteen original Arhats (Sthaviras) tasked by the Buddha with protecting the Dharma. This thangka serves as a devotional image used in Tibetan Buddhist practice to venerate the lineage of the Buddha's direct disciples.
Thangka, 18th century Painting on cotton, with later Chinese borders Tibetan-Buddhist, China Kanakavatsa (Tibetan: gser be'u) (ca 18th) His name translates as 'golden endless knot'. He was born on Saffron Hill in Kashmir along with 300 attendants holding precious stones. Kanakavatsa (Tibadach)
Translation
The provided museum label contains both English and Irish, identifying the subject as Kanakavatsa.
The sixteen Arhats
The iconography follows the traditional standard for the set of Sixteen Arhats, who are central figures in Tibetan hagiography and ritual cycles.
Object
thangka
cotton
18th century
Tibetan
religious
Digital Source
Wikimedia Commons · Public domain
2056 × 4016 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.