Natya Shastra with Abhinava Bharati Commentary (1926) - Page 18

	Verse	Page
16 Madavilasitaḥ	208-9	363
17 Gatimaṇḍalaḥ	210-11	364
18 Paricchinnaḥ	212-13	365
19 Parivṛttarecitaḥ	214	367
20 Vaiśākharecitaḥ	218-9-0	369
21 Parāvṛttaḥ	221	370
22 Alātakaḥ	223	372
23 Pārśvacchedaḥ	225	373
24 Vidyudbhrāntaḥ	227	374
25 Udvṛttakaḥ	229	376
26 Ālīḍhaḥ	231	377
27 Recitaḥ	233	380
28 Ācchuritaḥ	235	381
29 Ākṣiptarecitaḥ	237	384
30 Sambhrāntaḥ	240	386
31 Apasarpitaḥ	243	387
32 Ardhanikuṭṭakaḥ	245	389

The Recakas (4)	247	390
✓ Definition of the Recakas	249-253	392-394
✓ Order, names, and definitions of the Piṇḍībandhas	257	397-404
✓ Bestowal of the Recakas etc. upon the Sage Taṇḍu	264	406
✓ Definition of Tāṇḍava	265	408
✓ The question of the Sages	266	414
The purpose of dance (Nṛtta)	268-272	419-433
Reasons for the performance of Lāsya and Tāṇḍava	272	440
Rules for Tāṇḍava and rules for Vardhamānaka	273-274	440-1
Rules for Āsārita	276	443
The action of the dancer (in the Vardhamānaka)	279	445
Definition of the meters of songs	296	466
Songs—composed of thematic substances (Vastu)	301	470
Rules for instrumentation therein	303	,,
Rules for delicate dance	311	477
Rules for dance and instrumental music	313	479