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While the previous page depicted a king (likely David), this portrait shifts the focus to intellectual or theological authority. The use of a scroll rather than a bound book emphasizes the figure’s connection to antiquity. In a 12th-century context, such a figure might represent a Church Father like Saint Augustine or a classical philosopher whose works were being integrated into medieval Christian thought. The minimalist line-drawing style, devoid of the heavy pigments seen in the previous portrait, focuses the viewer's attention on the form and gesture of the author.