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Sappho (ed. Henry Thornton Wharton) · 1887

despite all the onslaughts of Colonel Mure and those few who sympathized with him.
Consequently the next self-standing edition of Sappho, by Christian Friedrich Neue, pp. 106, 4to, Berlin, 1827, embodying the results of the "new departure," was far in advance of its predecessors—not in cumbrous elaboration, but in critical excellence. Neue's life of the poetess was written in the light of Welcker's researches; his purification of the text was due to more accurate study of the ancient manuscripts, assisted by the textual criticisms published by Bishop Blomfield the previous year in the Cambridge Museum Criticum a journal of classical philology.
Since Neue's time much has been written about Sappho, for the most part in Latin or German. The final revision of the text, and collection of all that can now be possibly ascribed to her, was made by Theodor Bergk, in his Poetae Lyrici Graeci Greek Lyric Poets, pp. 82-140 of the third volume of the fourth edition, 8vo, Leipzig, 1882, which I have here, with rare exceptions, followed.
There is a noteworthy dissertation on her life by Theodor Kock, Alkäos und Sappho Alcaeus and Sappho, 8vo, Berlin, 1862, in which the arguments and conclusions of Welcker are mainly endorsed, and elaborated with much mythological detail.
Perhaps the fullest account of Sappho which has recently appeared is that by A. Fernandez