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An ornate woodcut architectural border frames the central title text. The design is structured like a classical monument or portal. At the top, a semi-circular pediment contains a central crowned grotesque mask surrounded by scrolling floral motifs. Two flaming oil lamps stand on pedestals at the upper corners of the structure. The title text is set within a central archway flanked by two square pillars, which are decorated with vertical bands of candelabra-style foliage and flowers. The entire structure rests on a tiered base, featuring a central frieze depicting sea monsters and stylized wave patterns.
original: "Opusculum de Mirabilibus novae et veteris Urbis Romae"
Francesco Albertini (c. 1469–1510) was a Florentine priest and scholar. This work was one of the first to give equal weight to the modern Renaissance city alongside its ancient ruins.
In the early days of printing, a "privilege" functioned like a copyright, granted by a sovereign or the Pope to ensure that no other printer could legally copy and sell the same edition for a specific number of years.