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The content of this notebook is entirely slightly different from that of two others inscribed "Chevalier de la triple croix" Msst? 148 and 148 bis? XXV. 386 & 387. h.
Agrees with Ms? XXV-389, insignificant? 390. h: q q? XXV. 1047 entirely corresponds? with a notebook? of Mr. Kloss?: it is that of the palestine? which in this excerpt of the Order?
Content: Brief history of the Order
Vol. IV. Sect?. 1. page 452 sqq? and following
contains, presumably after Bode's
edition, notes
at the beginning?. Strong provided?,
which are omitted here as blank.
of
GEORG KLOSS.
Manuscript
Cat. No. XXV-388
Stiller No.
After further comparison with Bode?,
it is confirmed; in French and German text
both agree with the present XXV. 388,
though the English Bode's notes, which
are found in the Vol? of the Records?,
are missing here, and are written
at the end here. 11 May 1842.
Collection Knight of the Triple Cross
F. 228-237. German translation
with notes.
This translation by Conney? is the basis for
Ms XXV-388 b, in which there are
additions, with what Bode? and Bode?
have said about this degree.
19 January 1852.
A hand-drawn diagram depicts a tripod structure. At the apex is a cross labeled "red." The three legs are labeled with colors: "Green," "Yellow," and "White." At the base of each leg is a rectangular block. Handwritten French text below reads: "2 other notebooks of the same degree are united with those of various rites." German text to the right of the diagram refers to the "Position of the 3 crosses."
Bode has composed his notes on this Triple Cross in local appendix IX (i.e., the notes), and has set an introduction before his intent, which contains similar chapters to those found in Bode. - He holds the opinion that the Frenchman who formed the "Chevalier de la Triple Croix," as an explicit? [work], could only think and create as a Catholic?, without thereby seeming to connect the idea of a Marchian process. Therefore, an investigation is needed. What would Bode have said if he had seen many a French degree in my collection, in which the context? must be an untouched Catholic one, or as in the system of Avignon?, must become Catholic? 6 Oct 43. G.K.?
Following the above introduction, Bode should have had the "Chevalier restored?" printed without any notes, as it seems to me around 1790, because there is no allusion to the French Revolution in it - which would have been the rule for Bode to set, for otherwise the notes to the triple cross would certainly have alluded to it.