This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
[Péladan, Joséphin] · 1893

| I. | THE SUPREME VICE (1884). | VII. | A HEART IN PAIN (1893). |
| II. | CURIOUS (1885). | VIII. | THE ANDROGYNE (1891). |
| III. | THE SENTIMENTAL INITIATION (1887). | IX. | THE GYNANDRE (1891). |
| IV. | AT A LOSS (1887). | X. | THE PANTHEIST (1891). |
| V. | ISHTAR (1888). | XI. | TYPHONIA (1892). |
| VI. | THE HUSBAND'S VICTORY (1889). | XII. | THE LAST BOURBON (1893). |
Selected prose from the first ten novels with 10 compositions and a portrait by Séon: 3 francs 50.
FUNERAL ORATION OF DOCTOR ADRIEN PELADAN . . . . 1 franc 50
FUNERAL ORATION OF THE KNIGHT ADRIEN PELADAN . . . . 1 50
| I to IV. | ESTHETICS AT THE SALON of 1881-84. (1 volume in-8º, 7 francs 50, first volume Ochlocratic Art, with portrait). | XII. | ESTHETICS AT THE SALON OF 1885. |
| X. | MYSTIC ART AND CONTEMPORARY CRITICISM. | ||
| V. | FÉLICIEN ROPS (sold out). | XIV. | MATERIALISM IN ART. |
| VI. | ESTHETICS AT THE SALON OF 1884 (The Artist). | XV-XVI. | THE SALON OF PELADAN, 1886-1887 (Dalou). |
| VII. | PROVINCIAL MUSEUMS. | XVII. | THE SALON OF PELADAN, 1889. |
| VIII. | THE SECOND FRENCH RENAISSANCE AND ITS SAVONAROLA. | XVIII. | THE GREAT WORK according to Leonardo da Vinci. |
| IX. | THE MUSEUMS OF EUROPE according to the Braun collection. | XIX. | THE TWO SALONS OF 1890 with three mandates of the R † C (Dentu). |
| X. | THE MANET METHOD. | XX. | THE TWO SALONS OF 1891. |
| XI. | GUSTAVE COURBET. | XXI. | THE TWO SALONS OF 1892. |
(Introduction to the history of painters of all schools, from the origins to the Renaissance, with reproductions of their masterpieces and special pinacography a catalogue of pictures, in-4º, Charles Blanc format. Published: The Orcagna and the Angelico, 5 francs. — Rembrandt, 1881 (sold out).)
Doctrine of the Rose † Croix, 1 volume in-18 (for October 1893).
I. HOW ONE BECOMES A MAGE (Ethics), in-8º 1891 (Chamuel).
II. HOW ONE BECOMES A FAIRY (Erotics), in-8º 1892 (Chamuel).
III. HOW ONE BECOMES AN ARTIST (in press).
CONSTITUTIONS OF THE ORDER OF THE ROSE † CROIX OF THE TEMPLE . . . 1 franc 50
THE PRINCE OF BYZANTIUM (rejected by the Odéon and the Comédie-Française).
BABYLON (tragedy in 4 acts).
THE SON OF THE STARS, in 3 acts (performed at the Rose † Croix).
THE ROSE † CROIX, mystery play in 3 acts.
THE MYSTERY OF THE GRAIL, in 5 acts.
A title page featuring a large ornamental border in a Neo-Assyrian and Occult style. At the top center is a winged heart emblem with a cross within a crown of thorns or a rose. Inside the frame, two Latin mottoes flank the central text. In the bottom corners, two winged, bearded sphinxes (lamassu) face each other. Rosettes decorate the lower frame.
To the Rose
through the Cross, to the Cross
through the Rose; in her
in them, budded with gems,
I shall rise again.
original: "Ad Rosam per Crucem, ad Crucem per Rosam; in ea in eis gemmatus resurgam."
Not unto us,
not unto us, O Lord,
but to the glory of your name
alone
Amen
original: "Non nobis non nobis Domine sed nominis tui gloriæ soli Amen"