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The Salon of the Rose + Cross admits all forms of draftsmanship, from simple lead pencil to cartoons for frescoes and stained glass.
Architecture; this art being dead since 1789, only restorations or projects for fairy-tale palaces will be accepted The year 1789 marks the beginning of the French Revolution, which the author views as the destruction of the sacred and traditional order of art..
The theocratic divinely ruled character of the Order of the R + C in no way binds the artists, and their individuality remains outside the character of the Order.
They are merely Guests, and consequently not at all bound to the Order from a doctrinal point of view.
An artist who produces a work conforming to the program of the R + C will be accepted, even if their previous work was different and realistic. The Order judges only what is presented to it and not the evolution of a talent.
The artist who, living abroad, wishes to exhibit at the R + C, must send a photograph, based upon