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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileChimères et gargouilles de Notre-Dame de Paris, 2024 05
The image captures a close-up, low-angle view of two weathered limestone chimeras atop the exterior balustrade of Notre-Dame de Paris. On the left, a winged, horned beast sits hunched, its claws gripping a sculpted projection. On the right, a seated, ape-like figure with prominent ears and a grimacing expression leans forward, supported by the architectural edge of the cathedral's facade. The scene is illuminated by warm, golden natural light, creating sharp shadows that accentuate the porous, eroded texture of the gothic stonework.
These figures are part of the mid-19th-century restoration by Eugène Viollet-le-Duc, who introduced these chimeras as a romantic, neo-Gothic interpretation of medieval architectural aesthetics rather than authentic original carvings. They reflect the 19th-century fascination with the grotesque and the medieval imagination, popularized by authors like Victor Hugo.
Victor Hugo, Notre-Dame de Paris (1831)
Hugo's novel romanticized the cathedral and stimulated the public and architectural interest that led to Viollet-le-Duc's 19th-century restorations.
Object
carving
limestone
Gothic Revival
French
sculpture
Digital Source
Wikimedia Commons · Public domain
3348 × 3348 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.