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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileChimères et gargouilles de Notre-Dame de Paris, 2024 06
The photograph captures several stone grotesque figures, commonly referred to as chimeras, perched on the balustrade of the Gothic cathedral. One central figure in the middle left is crouched, its torso turned toward the viewer with an open-mouthed, bestial expression, while a companion figure to the right sits in a similar posture, looking upward and to the right. The figures are carved from limestone, exhibiting the weathered, porous texture typical of the cathedral's 19th-century restoration by Eugène Viollet-le-Duc, and are backlit by warm sunlight against a deep blue sky.
While often conflated with medieval gargoyles, these specific figures are 19th-century additions by Viollet-le-Duc, intended to evoke a Romanticized, neo-Gothic vision of the Middle Ages. They serve as an architectural embodiment of the 'grotesque' tradition in Western art, which functions both as a ward against evil and a display of the liminal space between human and beast.
Eugène Viollet-le-Duc
The figures were added to the cathedral during the 1840s restoration project led by this architect.
Victor Hugo, Notre-Dame de Paris
The presence of these figures on the cathedral was popularized and ideologically reinforced by Hugo's novel.
Object
stone carving
limestone
Gothic Revival
French
sculpture
Digital Source
Wikimedia Commons · Public domain
5194 × 3463 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.